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by Jean Kepler Ross
Thirty years ago, I was dazzled by my action-packed month visiting a friend and his family in Japan. They live in Fukui Prefecture near the Sea of Japan, but I gazed in wonder at the Gion Festival and temples in Kyoto, kabuki theater in Tokyo, the deer park in Nara and Himeji castle from shogun days. The most delicate and intimate thing I recall was a tea ceremony performed by a friend of my friend at her home.
Garbed in a kimono, our host greeted us and led us to her tea area where a small shrine, with incense and blossoms, dedicated to her ancestors, stood in a prominent spot. She went through ritual preparations and whisked the powdered green tea with hot water in special bowls, then presented them to us to admire. We turned the bowls three times to appreciate the decorations inside each bowl before we drank the frothy tea. At the end of the ceremony, our host presented me with a fine tea bowl painted with fall leaves and gold leaf to take home with me. It’s been keeping me company ever since as a treasured objet d’art and memento of my trip.
Before I left Japan, I purchased a bamboo whisk and a tin of special powdered green tea with the thought of trying my hand at preparing the tea once I got home. I’ve kept them with my kitchen spices above my stove for thirty years, admiring the Japanese letters, waiting for that perfect moment when I would perform my own tea ceremony and savor the tea. Somehow, the moment never arrived. Maybe I was too busy with life and the years somehow passed. I often looked at my whisk and tea and enjoyed the anticipation, the possibility of someday re-creating the tea ceremony.