Telling Stories in Cornwall

by Elyn Aviva

My husband, Gary, and I recently went to Cornwall to walk meandering paths with a small group. At least, thatwas the story. One morning over breakfast at Rosemerryn House in Lamorna Valley, one of our group revealed she is a professional storyteller. She described learning to take storytelling seriously. “After all,” she mused, “We don’t usually think stories are important. At least, not in the real world.”

I realized that often the word “story” is used as a code word for “false.” As in: “Oh, that’s a likely story! You don’t really expect me to believe you, do you?” Or it’s trivialized to mean something soothing, as in, “Tell me a bedtime story.” Of course, a story is much more than that: it is how we make meaning out of our experiences—as in, “telling the story of my life.” Sometimes I identify so much with my story that instead of me telling “it,” it starts telling “me.”

That morning the group set off on a journey to Boscawen-un stone circle. Usually, my story would have been to go along. But I decided to tell a different story: a story of following where I lead myself instead of where I am led by others. 

I set off on a different journey—a journey to 2500-year-old Boleigh Fogou, an underground, stone-lined passageway (in Cornish, fogo means “cave”) hidden in nearby Rosemerryn woods. There is much debate about the original purpose of fogous (storage? A hiding place?), but it seems clear that they were primarily used for community ritual and ceremony. As a guest at Rosemerryn B&B, I had permission to visit the fogou.

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Fogous and Creeps in Cornwall

by Elyn Aviva

Pendeen Fogou wasn’t a very prepossessing site. To reach it, the three of us—my husband, Gary, our guide, Cheryl Straffon, and I—had to unfasten three rusty metal gates to venture ever deeper into a farmer’s cattle yard. The broken concrete beneath our feet was covered with several layers of dried (or drying) cow manure. Cattle were lowing and resting in their own muck in the nearby pens. 

Our goal was a six-foot-tall stone structure with tall grasses and weeds growing out of the top and a yawning opening in one wall. Before we could enter the site, we had one more obstruction: a detached farm gate, which the three of us hauled over to one side. 

Bending low, we followed Cheryl down a steep, stone-lined passage deep into the earth. I was grateful I had my hiking staffs to help keep me from slipping. At the bottom, the rocky passage leveled out. My flashlight illuminated moss-covered granite walls and ceiling, the large stones carefully placed to construct the fogou. Pronounced “foo-goo,” it’s a Cornish word that means “cave,” and it refers to a human-made underground cavern.

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The Plague Comes Back To Life

by Fyllis Hockman

The year is 1645. The most virulent strain of the Bubonic Plague has immobilized Edinburgh, Scotland, claiming the lives of more than half the city’s population. The area hardest hit: Mary King’s Close on High Street, a busy thoroughfare and lively 17th century street of pubs, shops and residences. Cries of suffering have replaced the friendly chatter, and the stench of death, the pungent aroma of tea and scones.

The place, the time, the horror have been resurrected as one of Edinburgh's most unusual attractions. Archaeologically and historically accurate, the alleys you walk upon, the rooms you visit, the stories you hear are real. This is not a recreation; it is a resurrection of what already existed so many centuries ago. 

Beneath the City Chambers on Edinburgh’s famous Royal Mile, lies Mary King’s Close, a series of narrow, winding side streets with multi-level apartment houses looming on either side, which has been hidden for many years. In 1753, the houses at the top of the buildings were knocked down to make way for the then-new building. Parts of the lower sections were used as the foundation, leaving below a number of dark and mysterious underground alleyways steeped in mystery -- and misery. 

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Would You Eat Your Lunch in a Cathedral?

Musing at Scorhill Stone Circle, England by Elyn Aviva

We trudged up the bleak hill, brown and barren. My husband, Gary, and I were hiking with a small group in desolate, wild Dartmoor National Park to a place we’d never been, following a faint path through the moor, a track barely visible in the water-logged, peaty soil.  Our guide informed us that people can easily lose their way on the moors—experienced hikers, skilled in reading maps, disappear, their bodies found years later. 

Clearly, we were entering a dangerous place, a place “in-between” the known and unknown worlds. Specifically, we were going to Scorhill (AKA Gidleigh) Stone Circle, one of the largest and most intact stone circles in Devon: approximately 27 meters (88’) in diameter, originally composed of between 51 to 70 upright stones. Now, only 34 remain.

I saw a knee-high standing stone next to a tiny glistening pool. “Is that an entry marker for the stone circle?” I asked and pointed. Our guide said, “No, it’s just a stone.” But I felt drawn to it. I walked over to the narrow granite slab and greeted it, centering myself for a few minutes. Suddenly my eyes filled with tears, my perception shifted, and I felt myself become a pilgrim on a journey rather than an ambler on an outing. This was puzzling but perhaps not so surprising: the moor was filled with an almost palpable primordial energy. Silently, I asked permission to continue on this path. I waited for an equally silent response.

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My Journey to the Union of Heaven and Earth

by Elyn Aviva

Join me on a journey into the unknown, where what you think you know melts away and is replaced by something something bigger.

For decades I have been drawn to sacred sites and powerful places, drawn to go on pilgrimage across France and Spain, drawn to place my feet in the footsteps of if not my ancestors then of the ancestors of spirit who have traveled these paths before me. Like iron pulled toward a magnet, I have sought out well- and little-known places of power ancient stone circles, half-buried dolmens, ruined Romanesque chapels, spire-topped inspiring cathedrals, thick forests, hidden holy wells, dark sacred caves. Seeking I knew not what, going I knew not why, except that I was driven by a simple but all-consuming question: What are these places? I think I hoped that, by going to enough of them, I would find the answer.

The first time I knew I was in a very powerful place was when I saw the alignments at Carnac in Brittany, France. My husband, Gary, and I had driven through the flat Breton maritime pine forest toward the coast. The nearly straight road reached a crossroad and there, behind green metal fencing, were rows of large, upright stones, some as tall as a person, stretching in rows as far as the eye can see. Brakes screeching, we pulled over. I jumped out and ran across the lane, twining my fingers through the barrier to get as close as I could. What were they? Who put them here? What purpose did they serve?

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My Journey to the Union of Heaven and Earth

by Elyn Aviva

Join me on a journey into the unknown, where what you think you know melts away and is replaced by something—something “bigger.”

For decades I have been drawn to sacred sites and powerful places, drawn to go on pilgrimage across France and Spain, drawn to place my feet in the footsteps of if not my ancestors then of the ancestors of spirit who have traveled these paths before me. Like iron pulled toward a magnet, I have sought out well- and little-known places of power—ancient stone circles, half-buried dolmens, ruined Romanesque chapels, spire-topped inspiring cathedrals, thick forests, hidden holy wells, dark sacred caves. Seeking I knew not what, going I knew not why, except that I was driven by a simple but all-consuming question: “What are these places?” I think I hoped that, by going to enough of them, I would find the answer.

The first time I knew I was in a very powerful place was when I saw the alignments at Carnac in Brittany, France. My husband, Gary, and I had driven through the flat Breton maritime pine forest toward the coast. The nearly straight road reached a crossroad—and there, behind green metal fencing, were rows of large, upright stones, some as tall as a person, stretching in rows as far as the eye can see. Brakes screeching, we pulled over. I jumped out and ran across the lane, twining my fingers through the barrier to get as close as I could. What were they? Who put them here? What purpose did they serve? 

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