Finding Mario Bollag

story + photos by Michael Housewright

Brunello di Montalcino is perhaps the finest wine produced in Italy. It is made entirely from Sangiovese grapes, grown just outside the hilltop town of Montalcino, in Tuscany. It was the first wine I ever loved.

I met Mario Bollag  at a wine bar I curated in Houston, Texas. He spoke impeccable English, and was easily the most charming winemaker I had met in all my years in the business. In addition, he made outstanding Brunello at his winery, Terrlasole.  We hit it off immediately, talked, and tasted wine for several hours. He invited me to visit him and the winery as soon as I could make my way overseas.

Less than two months after Mario’s visit to Houston, I took him up on his offer, and went to Italy. With my wife in tow, and a rental Volkswagen Golf procured, we set out from Rome airport in search of Mario Bollag.  Being a frequent traveler to Italy I assumed finding Mario in tiny Montalcino would be a cakewalk. I was wrong.

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The Doors (And Not The Ones You Think)

by Richard Rossner

“There’s a disturbance in the Force.”  - Obi-Wan Kenobi 

My uncle died today.  As soon as I heard the news, I felt the depth of Obi-Wan’s statement.  It’s been happening a lot lately.  My mother died last June.   

The disturbance I feel is that small hole…the emptiness…the gap that a person leaves behind when they finish their life’s journey and head for the next adventure in the Hereafter. It seems like a selfish thing, but I didn’t even have to talk to them; I just liked knowing that my uncle and mom were here.  My maneuverings in the world somehow felt safer knowing that we were sharing space, air, the daily happenings…everything.  But the death of someone I love sensitizes me to the rip in the fabric of life.

Even though I believe in the concept of “spirit” and that it survives bodily death, it doesn’t make the loss any easier for me.

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Standing at the top of the Man-Made World

by Jolandi Steven

The Arabian music and lights are soft and atmospheric, conjuring up wild desert landscapes in my imagination: falcons frozen on invisible air currents, the loping gate of a camel transporting exotic spices in the blazing heat of late summer, rolling rust-red dunes forming an undulating sea of sand, a Bedouin tent shimmering mirage-like in the softening colours of sunset. The music falls squarely in the category of elevator music, appropriately playing in a parcel-sized space that doesn’t seem to be moving, despite the digital numbers on the display screens that are hopping and skipping playfully over entire floors, teasing and tormenting my eyes. Before long, the elevator that makes the longest travel distance in the world, and travels at a speed of up to 10 metres per second, effortlessly glides to a graceful stop. Polished steel doors slide open with what sounds like a barely audible sigh. Twelve people step out on level 124.

It has taken less than a minute to reach our destination, despite the sludge-like queue that imprisoned us at the bottom for over an hour. Only a couple of handfuls of the 28, 261 glass panels that clad this marvel of engineering shield me from empty space and certain death. The sheer glass walls inexplicably negate my usual fear of heights, and I am irresistibly drawn to them. Pressing my palms and nose against the cold glass, I try to imagine the ant-like bodies of the 12,000 workers that scurried around during the height of its six year construction. I feel small and insignificant. A coward cocooned by a glass case. I gaze out towards an imagined city built out of Lego blocks. Nothing feels quite real from this height.

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A Sensational Time-Lapse Story in Barcelona

by Elyn Aviva

Rumbling vibration of Spanish high-speed AVE train, coming into the deep underground white glass-brick cement plaster metal station in Girona. Feet tingle on platform, train sloowwwwws waaaayyyyyyy dowwwwwwnnnn and coasts to stop. Sigh like a long-held outbreath as doors open, stairs unfold. Clack thump of discharging passengers maneuvering out and down and onto platform, luggage dangling. 

We wait to get on. Impatience has a metallic feel. 

Finding our seats, sinking in. Ahh. Whoosh of doors closing, train starting, gaining speed. 200 kms/hour. Fast. Train car is more or less silent, except for the gaggle of girls behind us, a before-wedding hen party heading to Barcelona. They sport puffy red heart pins on their sweaters, move grudgingly when I push through to the semi-circular toilet cubicle at the end.

Ground mist rises like whipped cream, hiding the dark green hills. Rain smears against the windows, streams rushing tumultuous but soundless, muddy swirling water caressing tree roots in a cold embrace.

200 kms/hour, now 150, now 50, now 6…. Slow sigh of arrival. Sants Estación, Barcelona. Hurry down the platform, up the escalator, across the station toward Metro entrance. Huge Metro map on wall, angular routes snaking over it, marking the underground root-network beneath the city. Choose your color, your number, your direction. Linea 5, sky blue, direction Vall de Hebron, intermediate node, Sagrada Familia. Repetitive thump squeak of footsteps on tile corridor, down one flight of stairs, onto slow moving escalator… Pause. Shift. Wait.

Tension builds. People jostle to buy tickets. Which way does the ticket arrow go in the machine to get through the gate? Will the baby buggy get caught in the vertical gyrating windmill turnstile? Why doesn’t it work? Put it in again. Lose a journey.

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What My Life Will Look Like at Seventy

by Adam Shepard

When I’m seventy, my grandchildren, all six or seven of them, will sit around my La-Z-Boy at Christmas, and they will want to hear stories about my one-year journey. The aroma of a honey-glazed ham, green-bean casserole, and cheesy hash browns drifts softly into the living room from grandma’s kitchen. Two pies—pecan, my favorite, and pumpkin, which I don’t care for—are cooling out back on the screened-in porch.

And my grandchildren will ask me questions. 

“Did you meet the Dalai Lama?” they will ask. “Did you buy anything for Grandma? Like a scarf or something? Did you see any Asian people? I mean, like, real Asian people. Not like the ones with funny accents that we have in the United States.”

Then, a raised hand from the corner will catch my attention. One shy grandchild will sit alone, having remained silent this entire time. When our eyes meet, he’ll wait, hand still raised, for me to acknowledge him. Good Lord, son. You needn’t raise your hand to speak in this household. I’ll point to him.

“What is the one place you enjoyed the most during your journey?” he’ll ask, and I’ll be curious why it takes the most intelligent ones so much time to gather the moxie to be more outgoing. Why are you sitting in the corner? I’ll wonder. Please don’t sit in the corner. Are you listening to the rest of these questions? You really are the only hope for this family.

This question, though, is one I’ve long pondered. The one place. Maybe it won’t be fair for me to think about these things, since I’ll have enjoyed the trip as a whole, and every individual spot from start to finish will have been new and exciting and held its own flavor, and besides, our greatest adventures are the next ones—whether those adventures are a segment of a ’round-the-world trip or just hoping to finish dinner without our teeth falling out. 

“Honduras,” I’ll say, and this will grab everyone’s attention. They’ll all scoff at me. 

“Honduras!” they’ll yell, looking one to the other as if I can’t possibly be serious. He must be kidding, this antique of a man. “You fought bulls in Nicaragua and rode an elephant in Thailand and hiked Abel Tasman in New Zealand and bungee jumped in Slovakia, and you’re telling us the place you enjoyed the most was Honduras?” They haven’t heard favorable reports from Honduras.

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Ladakh, India: Without Words

by Ariel Bleth

In the darkening room, as dusk drew its graying curtains, there was enough light to see the dirt smudged on the aqua walls.  The volunteer coordinator, Wongel, sat next to me and translated.  We were on rugs thrown over thin mats, with small tables in front of our crossed legs to hold the tea that could not be refused even though we were not thirsty.  My “adopted” mother, my Ama-le, seemed mostly concerned that we eat her hard biscuits and drink her sweet milk tea.  My hand trembled slightly as I held the teacup and tried to look like someone she would be pleased to have in her home for a month, someone who could do the field work that she needed to have done.  Wongel explained that she didn’t expect me to be able to do as much work as they did and that she wanted me to let her know if I had any problems at all.  Silently I questioned how this would ever happen, given my half-day Ladakhi language workshop and her apparent lack of English.  I realized that my few learned phrases, like “Jule, Kamzang-le” (hello, how are you?), wouldn’t go very far. 

I went to Ladakh, a mountainous desert region nestled high in the Indian Himalayas, to live for a month with a family and help them farm, as well as to learn what I could about their traditional Buddhist culture and the forces that shape their relationship to one another and their environment.  Our home had one main room, where we cooked, ate, and socialized.  That first night, Ama-le squatted in the corner. There were bowls of flour and water on the floor before her, and plates of shelled peas, sliced potatoes and leafy greens.  I took my same place on the mats, waiting for some indication from Ama-le as to what I should be doing.  She mixed the flour and water, lightly kneading the dough while Nono-le (Ladakhi for young brother) shuffled around the room, his arms held straight out before him like a zombie.  Three steps and he was down, crawling.  Ama-le delighted in what appeared to be her grandson’s newly acquired skill of walking.  Imitating him with a waddle and extended arms, she looked at me and laughed.

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