The Little Burmese Tout in Training

by Amy Dapice

I was an easy target, strolling happily towards the temple outside Inwa, Myanmar. The little Burmese girl chose me as the unwilling object of her relentless sales pitch. Clinging to my side she chanted loudly, “Lady! Lady! You buy my earrings? Buy my earrings! Lucky money! Lucky money!” She recited these words over and over in exactly the same order, a mindless loop of singsong, all the while holding up a selection of cheap handmade jewelry. My polite refusals were completely ignored or perhaps she simply didn’t hear me. She absentmindedly stared off into space while repeating her jingle, daydreaming of being someplace else, any place else. She was clearly bored with her job but needed the money. 

As a seasoned traveler, I’d seen my share of touts. Overly aggressive to say the least, they will do just about anything to make a sale.

I learned long ago to avoid eye contact. Keep walking. Say nothing to encourage them. But from the moment my plane touched down in Burma, I felt no need for such guardedness. I walked unaccosted on the streets of Mandalay and met with nothing but curious glances and wide smiles. Cut off from the world for so long, the people still possessed a kind of cultural innocence. Respect and courtesy towards visitors still reigned. I felt welcome.

So the unwanted attention of this little tout-in-training threw me a bit. She was especially tenacious for one so young. I guessed her age to be no more than ten. The picture of innocence, she wore a colorful dress and a bow in her hair. I took it personally that she didn’t bother to look me in the eye. It quickly became a battle of wills between us. I didn't want to be unpleasant but I also wanted it to stop.  

I knew just what to do.

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If Only The Teachers Could See Me Now

by Cathy Laska

I had to step back a few feet to get a glance of the Scott Monument from the ground up to the spire. It was terrifying and made me rather dizzy. (It reminded me of the time back in junior high when I froze at the top of a five-tier bleacher and it took a couple of teachers at least an hour to get me down.)   

I was in my last full day of strolling around the streets of Edinburgh, taking in the remaining major attractions I wanted to see before leaving. For several days since my arrival, I had walked past the awe-inspiring gothic tribute to the famous Scottish author Sir Walter Scott. Located in the Princes Street Gardens, the monument, a cathedral-like structure, towers well above the other buildings on Princes Street and the surrounding area. This stunning piece of art, made from Binny sandstone, stands two hundred feet six inches tall, with a spiral staircase of 287 steps.  

I had been reading the brochure and thinking how much I really would like to go up to the top of the monument and experience the view, but my fear of heights kept me firmly planted on the ground, content to just wave to the people at the top of the spire. Eventually, though, curiosity got the better of me and I was faced with a tough decision: Do I let my anxiety take over or do I take the challenge?

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The Plague Comes Back To Life

by Fyllis Hockman

The year is 1645. The most virulent strain of the Bubonic Plague has immobilized Edinburgh, Scotland, claiming the lives of more than half the city’s population. The area hardest hit: Mary King’s Close on High Street, a busy thoroughfare and lively 17th century street of pubs, shops and residences. Cries of suffering have replaced the friendly chatter, and the stench of death, the pungent aroma of tea and scones.

The place, the time, the horror have been resurrected as one of Edinburgh's most unusual attractions. Archaeologically and historically accurate, the alleys you walk upon, the rooms you visit, the stories you hear are real. This is not a recreation; it is a resurrection of what already existed so many centuries ago. 

Beneath the City Chambers on Edinburgh’s famous Royal Mile, lies Mary King’s Close, a series of narrow, winding side streets with multi-level apartment houses looming on either side, which has been hidden for many years. In 1753, the houses at the top of the buildings were knocked down to make way for the then-new building. Parts of the lower sections were used as the foundation, leaving below a number of dark and mysterious underground alleyways steeped in mystery -- and misery. 

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Samba: From Berkeley to Brazil

by Janet Schneider

I love Sunday mornings.  Often I wake to the smell of coffee and know that the New York Times awaits me on the dining room table, but these enticements don’t get me out of bed. I rise to dance the samba. For no matter what the weather is in Berkeley, California for one hour, I am transported to a warm Brazilian sandy beach, a Carnaval parade line moving in unison, or a spontaneous Latin street party.  

At 11:00 in the morning I take my place in Elisita’s Afro-Brazilian dance class at the downtown Berkeley YMCA.  I rush to get my spot in the dance studio — behind and slightly left of her so I can watch Elisita’s every move. It’s in the second row so that, thankfully, someone blocks my view of the mirror. I am not fond of mirrors in general, and even less so when I wear spandex and no makeup.

A smiling Elisita Castanon-Hill. Photo by Liza Dalby.

I take off my gym shoes. My bare feet, liberated, feel the hardwood floor give as I step from side-to-side. I stretch while waiting for the music to start. I dance to escape my daily concerns and leave my worries behind. I dance rather than remain at home writing. If I arrive at class stressed or frantic, I won’t feel that way when I leave. 

Elisita takes her place in front, presses the play button, and begins to move.  I hear the drums, flutes, and tambourines and feel the Samba beat —1-2-3. Da, da, da. Ba, ba, ba.  Elisita does not have a flat stomach, small chest, or firm butt. She is, instead, a big woman whose bulging stomach rolls over her spandex waistband. She has a large lumpy behind and full limbs. But when she dances her jiggling skin transforms into a taut figure of strength, grace, and beauty. And when she smiles her entire face radiates.

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Would You Eat Your Lunch in a Cathedral?

Musing at Scorhill Stone Circle, England by Elyn Aviva

We trudged up the bleak hill, brown and barren. My husband, Gary, and I were hiking with a small group in desolate, wild Dartmoor National Park to a place we’d never been, following a faint path through the moor, a track barely visible in the water-logged, peaty soil.  Our guide informed us that people can easily lose their way on the moors—experienced hikers, skilled in reading maps, disappear, their bodies found years later. 

Clearly, we were entering a dangerous place, a place “in-between” the known and unknown worlds. Specifically, we were going to Scorhill (AKA Gidleigh) Stone Circle, one of the largest and most intact stone circles in Devon: approximately 27 meters (88’) in diameter, originally composed of between 51 to 70 upright stones. Now, only 34 remain.

I saw a knee-high standing stone next to a tiny glistening pool. “Is that an entry marker for the stone circle?” I asked and pointed. Our guide said, “No, it’s just a stone.” But I felt drawn to it. I walked over to the narrow granite slab and greeted it, centering myself for a few minutes. Suddenly my eyes filled with tears, my perception shifted, and I felt myself become a pilgrim on a journey rather than an ambler on an outing. This was puzzling but perhaps not so surprising: the moor was filled with an almost palpable primordial energy. Silently, I asked permission to continue on this path. I waited for an equally silent response.

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Christmas in Kyoto

story and photos by CM Tobias

Christmas in Kyoto did not sound promising but the flight was cheap. Having spent the last several Christmases huddled around the small wooden tables of the German Weihnachtsmarken, hands wrapped tightly around steaming ceramic mugs of glühwein, we expected Japan to be a bit of a disappointment in terms of holiday spirit.

There would be no Christmas markets selling roasted sausages or over-sized steins of altbier. There would be no outdoor festival tables to provide the inevitable camaraderie that accompanies the mass consumption of mulled wine in freezing temperatures. Communication would be near impossible as both my wife Lauren and I spoke very little Japanese and could not read kanji or katakana.  

Nonetheless, one evening as we approached the bottom of our second bottle of wine, we decided Kyoto would make for a fine introduction to Japanese culture, with the added bonus of seeing drunken Japanese “salary men” stumbling around in Santa hats.

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