Inside Jamaica’s Blue Mountains: A Stranger in their Midst

by Laura Albritton 

The ancient Land Rover banged through another pothole as the rain poured onto the muddy, treacherous road. “We’re almost there,” my husband shouted encouragingly. I nodded, and clutched the door handle even tighter. Our little baby, carsick, had already thrown up twice. Driving from Kingston up 4000 feet into Jamaica’s Blue Mountains, with precipitous drops just steps away, frightened me into speechlessness. When the vehicle’s tires slipped at a hairpin turn, I silently begged God to keep us safe.

Blue Mountains, Jamaica by Nick Sherman via Flickr CCL

At last we crunched up a bumpy driveway to Whitfield Hall, a centuries-old Blue Mountain coffee farm surrounded by giant eucalyptus trees. I unsnapped our child from her car seat and hurried after my husband Zickie. Outside in a covered breezeway under a kerosene lamp, a large Jamaican woman in a red headscarf held out her arms. “Miss Lynette!” Zickie bellowed, his stream of patois making her burst into belly laughs. I shivered with the baby as they embraced. Lynette Harriott was the matriarch who kept my in-laws’ 18th century guesthouse running, just as her mother Cynthia once did. This was the first time I’d met her, on my very first trip to the island.

Finally, she turned to inspect me, the new American wife. Her mahogany-colored eyes moved swiftly from my muddied running shoes to my blond hair. “Laura,” she said formally. I shifted the baby to my hip as I moved in to give Lynette a hug. She responded stiffly. “It’s nice to meet you,” I began, telling her how much I’d heard about her. Lynette ignored this, and reached for our baby.

“Likkle Iris,” she cooed, now smiling again. Other farm workers crowded around to see the baby, the long awaited grandchild of Mr. John and Miss Maureen. “Bright-eyed white lady,” an old man named Vinnie called her. Everyone laughed. I might as well have been invisible.

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My Mission in Marseille

by Atreyee Gupta

I felt like a decathlon athlete as I stepped off the train from Nice to Marseille. I had my most comfortable walking shoes on, a checklist of all the important sites to visit in my hand, and I was ready to tackle France’s second largest city. I looked around me. The port city was hectic with buses and cars whizzing past me and hundreds of people crowded onto the sidewalks. Still, I was primed to dive right in. I perused my inventory of important landmarks once more. I stretched my calf muscles, adjusted my backpack, and took a quick swig from my water bottle. I had eight hours to conquer Marseille and no time to waste.

View from ND de la Garde. Photo by marcovdz via flickr CCL.

According to guide books I had read, there were eight places I needed to visit in Marseille. I had them arranged in order from closest to farthest from my train depot: the old port, the fortress of Chateau d’If, the Cathedral de la Major, Saint Victor’s abbey, Notre Dame de la Garde, Borély Park, Palais Longchamp, and the Museum of Beaux Arts. I had a return ticket for the evening so whatever I didn’t finish would remain unseen, but I was convinced I could match the frenetic pace of this seaport and emerge a winner in my tourist marathon.  

I speed walked my way to the Old Port, where fishing boats and svelte yachts were crammed together like so many sardines in a watery can. I heard various shouts coming from the sellers as I passed the rickety ice tables packed with strange looking sea creatures, but I couldn’t stop until I saw the ferry boat for Chateau d’If: a famous prison and the subject of Alexander Dumas’ novel, The Count of Monte Cristo. The crowds were almost impassable on the island penitentiary, but they were no match for my fierce determination. I managed to squeeze my way past as I ran to see an empty cell, the communal cistern, and the rooftop view. Time was ticking and I had to catch the next ferry back so that I could head towards the Marseille Cathedral.

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Very, Very Short Mother's Day Stories

One of the things all humans have in common is this: everyone has a mother. There are loving mothers and angry mothers, artistic mothers and good cook mothers. We all know about neglectful mothers or possessive mothers, inspirational mothers. hovering mothers. happy mothers. unhappy mothers. funny mothers. sexy mothers. mothers who lived a long time or were cut down in their prime.

We challenged YourLifeIsATrip.com writers to tell us their Mother's Day tales in 25 words or less. But don’t let the small size fool you — at the heart of each of these very very short essays is a powerful story. So this is our gift to you--some very very short stories from the YourLifeIsATrip.com family. 

Mommy sandwich. Photo by Theresa Martell via flickr CCL.

1. Fragrances of Chanel No. 5 and face powder remind me of my friends' mothers.  The smell of bleach reminds me of mine. - Maureen Magee  

2. Loving, supportive, wise, funny -- my mother, who never graduated college, started teaching psychology courses at a community college in her 70's. That was the kind of person she was. - Fyllis Hockman

3. Mother is gone. But she left behind the stories of all the mothers who shaped us...to read, to question, to explore. Our stories. - Vera Marie Badertscher

4. Daughters marry; mothers gain a son. Sons marry; mothers lose him,” announced Meta. But when her son married me, she kept him and gained a daughter. - Andy Gross  

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My Kind of Wasteland

by Izaak Diggs

It would be easy to dismiss Barstow as a wasteland: You've got the heat in the summer and the poverty year round. Faded mobile homes and salvagers making monkey shapes as they strip valuable tiles off collapsing houses. To the casual glance it is just a place to fill your gas tank or grab a burger or use a restroom. Just another desert town, just another exit or two along the interstate to somewhere else. Why was I there? Was I following a genuine spark of inspiration or had I lost my mind? All I could do was wring my hands, question my sanity, and take more notes. 

Barstow has always been a hub. Starting in the nineteenth century it served long distance travelers and the mining towns in the region. The desert is a popular place for mines: Men digging holes in the ground, getting a little closer to Hell in the hope of cheating the Devil at poker and getting a monopoly on brimstone. Gamblers with chin beards and suspenders who directed other men into the dark recesses of the earth. They oversaw the creation of towns that thrived for awhile only to die and be reclaimed by the desert after.  Fortunes made and lost; a story told countless times in the history of mankind. The story of Barstow is nearly identical to scores of towns scattered like seeds throughout the Southwest.   

I went down to the desert with nearly every penny I had. I stood on a salt flat, waited for the wind to rise, and tossed all the bills in the air. They were carried in every direction; to fast food restaurants and cheap motels and gas stations. Like those men with chin beards and suspenders I gambled everything I had on a dream, on an idea.  I gambled it on the desert; I gambled it on all the little towns like Barstow and Lone Pine and Tuba, Arizona and Capitan, New Mexico. I rolled the dice that there was a story there lurking like a scorpion in a yucca.

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Bride in the Attic

by Maureen Elizabeth Magee

Hamer woman, Ethiopia. Photo by Michael Lorentz/Safarious.com

We pull up the Land Cruiser next to a petite man walking along the road. He is wearing a sarong-type skirt; his hair is coiffed in mud and feathers. He is distinguished.

“It is Wolle!” cries Mageru as he gets out from behind the wheel. “He is the Chief of Chiefs for the Hamer people.” 

They greet each other in the traditional way for Ethiopian men – clasping each other’s backs with the left hand, shaking right hands while butting right shoulders three times. Wolle’s head feathers stroked Mageru’s mustache.

In the Hamer language, Mageru introduces me as his wife. Wolle looks me over and absent-mindedly undoes and reties his sarong. He wears nothing underneath.

“We should invite him to camp with us,” suggests Mageru. “It is a long way back to his village.”

Wolle is happy to do that but insists on supplying dinner and so we swing the car off the road and bump our way across the scrubby, dry savannah.  A landscape so formless, I cannot gauge how many miles we have travelled before reaching Wolle’s family enclave, a few cone-shaped huts made of sticks and grass and encircled by thorn bushes.

As I get out of the car, I am immediately surrounded by dozens of naked children and, standing back, shy semi-naked women. The women and I smile uncertainly – not knowing what is expected of us.

Meanwhile, under Wolle’s direction, Mageru and a few other men are playing chase with a small goat.  The goat loses, and is manipulated safely - but not quietly - into the back of the Land Cruiser. He is wedged in tight and I pray that he will not pee, poo or upchuck on our gear.

It surely is the goat’s first car ride and it will definitely be his last. And by the time he bleats all the way back to our campsite, I am not feeling even a smidge remorseful. Our cook hustles him off (out of sight of my tender ferenj sensitivities) and disposes of him quickly; within a few hours he has become a tasty stew called figel wot. It is a pleasant camping evening; the men’s Amharic/Hamer murmurings around the fire are like soft ambient music to ears that don’t understand.

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Confessions of a Traveling Author

by Nancy King

Author, Nancy King. Photo by Linda Dickson.

I’m an author, Nancy King—no relation to Stephen King—but if I were, this story might be different.  As it is, I travel to independent bookstores in nearby cities, each time hoping I will find a room full of people waiting to hear what I have to say about my new novel, Changing Spaces, and wanting to buy my books. 

In one bookstore, a few people wander up to the display, pick up copies of my books and thumb through the pages. This is promising, I think. There aren't many people, but at least looking and thumbing are a prelude to buying.  I grin broadly when a petite, well-dressed woman approaches me.  “Are you the author?”

“Yes," I reply expectantly.

“I don’t read,” she announces. 

Stunned, I say the first thing that comes to mind. “What do you do?”

“I write novels,” she says, looking pleased with herself. 

“What do you write about?” I ask, not really interested, but grateful that someone is talking with me.

“Well, I don’t really know.” She looks at me, as if expecting me to tell her what she writes.

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