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« A Foreigner’s Food Epiphany in Spain | Main | Can There Be A Perfect Christmas? »
Tuesday
Dec312013

Falling in Love with Wells Cathedral

by Elyn Aviva

I never thought I’d fall in love again. And certainly not with a building! Yet there I was, heart pounding, eyes damp at the sight of her. 

Funny how the first few times I’d seen her, I never felt this “hit” of passionate connection. But that’s often how love strikes us, isn’t it? Not much interest at first—but then, Pow! Like a thunderbolt.

The first few times I’d seen her, she was just an object. A place to visit. A Gothic cathedral, begun in 1175, added to over the centuries, still standing more or less intact, which is a miracle in itself.  Described as “the most poetic of the English cathedrals,” she is the central attraction in Wells, Somerset, “the smallest city in England,” or so the tourist brochure proclaims. 


My husband, Gary, and I had visited Wells Cathedral several times, entering her, like so many other casual visitors, without (figuratively) even wiping our shoes. We had admired her carved columns and the delicate, repeating Tree of Life pattern painted on the distant ceilings. We had appreciated the acoustics in her octagonal chapter house and watched the colorful wooden figures on the nearly 700-year old astronomical clock go through their paces on the hour and quarter hours. We had marveled at the graceful scissor arches constructed out of two pointed arches, one facing up, one down, that brace the four sides of the heavy central tower. We had walked around her grounds to get a glimpse of St. Andrew’s Holy Well, framed like a picture postcard in a rectangular opening in a high stone wall. 


When we left the cathedral, we mentally added it to the list of others we had visited. Been there, done that—in fact, done that several times. 

But through some act of grace, this time was different. We had booked a room in an ancient gatehouse inn, the back of which opened directly onto the cathedral grounds. We arrived in early evening, checked in, pulled back the curtains of our room, and looked out. It was dark and a light mist was falling. As we watched, the cathedral coquettishly appeared and disappeared, as if hiding behind a flimsy, fluttering veil. Spotlights that were pointed at her western façade created an evocative chiaroscuro of mellow gold and deep shadow, reminiscent of a Rembrandt portrait.


I couldn’t restrain myself. Grabbing my umbrella, zipping up my rain jacket, I ran back down the twisting stairs of the inn and out the back door. Shoes squishing on the sodden grass, I hurried towards her. Ahhh. I felt a longing filled, a need requited that I didn’t even know I had. As I approached, I admired her elaborate 100-foot-high western façade, a glorious inning-and-outing of large square towers covered with a total of 300 solemn oversized statues, each barely contained within its stony niche. My eyes traveled up the three horizontal rows until the figures disappeared into darkness. 

She seemed to be waiting for me. Or at least I thought so as I tried to restrain my wilder “imaginationings.” She seemed to be aware of me. Aware that I was watching her. Aware that I was watching her watching me. 

In that moment, we were no longer see-er and seen: we were in shared communion, sharing communion, and I don’t mean bread and wine. She wasn’t an inanimate construct of stone, glass, and mortar—she was a conscious being.


I was chilled, drenched, shivering in the rain, and irredeemably, unrepentantly in love. I thought of Malcolm Miller, the great authority on Chartres Cathedral near Paris. His life’s passion has been the study of that exquisite French temple dedicated to Notre Dame. I wondered whether he, too, was smitten during a casual visit.

Reluctantly returning to our cozy hotel room, I tried to sleep. But I woke up frequently to pull back the curtains and admire her again, observing how she changed in the gentle light of dawn, as if she were gradually waking up from slumber. She wasn’t an edifice of stones, a neutral container waiting to be filled. She was somehow sentient, responding to the rising sun, the rain, the change of seasons. Gary joined me at the window and stared as morning light caressed the cathedral. He held me close, sensing what I sensed, if not quite so intensely. 

After a hurried breakfast, we rushed over to enter into this being with whom I had formed an uncanny, formerly unimaginable relationship. This time we paused before crossing the threshold, silently asking permission to enter instead of barging in like uninvited guests. 

We joined a free tour and gawked with a large family from Minnesota and a smaller family from San Francisco as our guide pointed out amusing carved capitals (a man pulling a thorn from his foot, another with a swollen jaw and toothache). He shone his laser light on a tale of grape theft and rapid punishment that circled like a series of cartoon frames around the top of a column. The hour was struck, and we rushed to watch the medieval astronomical clock put on its display of knights jousting around a central axis—much like a modern carousel. One poor rider has been knocked off his horse every hour for nearly 700 years. 

I learned about the cathedral music school and the Wells Cathedral Choir, some of its members housed across the street in the 15th-century “Vicars’ Close”—the oldest intact close in all of England. I learned about the church’s near-destruction during the Monmouth Rebellion in 1685, when the Lady Chapel behind the altar was partly torn down and the church was used as a stable. Our guide explained that many of the medieval stained glass windows had been destroyed, reconstructed some 150 years later in a kind of crazy-patchwork mosaic of bits and pieces. That explained why a black-etched outline of a leg was juxtaposed with a broken leaf, a beard was attached to a face it didn’t seem to fit…. 


I learned a lot of facts and figures, which did nothing to augment my love for her—and nothing to diminish it. After all, love has nothing to do with logic. 

Late that afternoon we returned to listen to the Evensong service. The melodic voices of the girls’ choir floated effortlessly, filling the space with joy. I could almost feel the cathedral shimmering with the vibrations of sound. I was acutely aware that I was inside a being—a being that has seen pageantry and pathos, death and destruction, celebration and ceremony—a being that witnessed daily Mass and prayer for over 800 years. Just think about it. Just imagine. 800 years of communion, of worship. That does something, all those vibrations of music and word. After all, “In the beginning was the Word”—and the Word is sound. And sound is vibration. 

Over the years, Gary and I have visited many sacred sites and powerful places. We have learned that these places draw on the underground energies of water and geological faults. Traditionally, they were constructed according to specific geometrical principles that relate their dimensions to the passage of the sun throughout the year. I have written about how these energies change depending on the cycle of the seasons, the fullness of the moon, on who did what most recently at a given site. I have said these things and believed these things—but in some fundamental way I had never really understood that these sacred sites are not simply receptacles for human activities. They are sacred beings.

I looked around me, admiring this lively, lived-in, sentient being that we call Wells Cathedral. I almost sensed her acknowledging my insight. “Yes,” She sighed, “You understand.”

If I lived nearby, I would volunteer to serve my beloved cathedral. But I don’t. So the best I can do is to share my love story with you. Perhaps, with a bit of grace, the next time you visit a sacred space you, too, will enter into wordless communion with the living spiritual presence of a powerful being.

 

Elyn Aviva is a transformational traveler, writer, and fiber artist who lives in Girona, Spain. Her blog is www.powerfulplaces.info. She is co-author with her husband, Gary White, of “Powerful Places Guidebooks.” To learn more about her publications, go to www.powerfulplaces.com and www.pilgrimsprocess.com. To learn about Elyn’s fiber art, go to www.fiberalchemy.com.

Photography by Gary White.

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Reader Comments (21)

Beautiful!

January 1, 2014 | Unregistered CommenterElyn Aviva

Elyn, what a beautiful love story along the journey of life. Buen Camino, pigrim.

January 1, 2014 | Unregistered CommenterSue Kenney

Dear Elyn,
I grew up in Somerset but never, to my knowledge, went to Wells. However, the love of the county will never leave me, it is such a special area.....

January 1, 2014 | Unregistered Commenterann coveney

I am so drawn in by your words. A gorgeous ode to your romance with the "Lady of Wells."

January 1, 2014 | Unregistered CommenterJoy Davidson

Just to clarify--I did NOT comment "beautiful" about my own post in the first comment--though the cathedral is indeed beautiful. Maybe "she" figured out how to go online.....

January 1, 2014 | Unregistered CommenterElyn Aviva

This post is from Wendy Morgan, who sent it as a personal message but has given me permission to post it for her:

"I felt more or less this way about both Wells and Salisbury Cathedrals. Visited both first when I was 11 yrs old,
felt called back to both, and was lucky to get to Salisbury again a few years ago. When I went to England last summer
and stayed a few days with Kate Gannon in Dorset, when she asked me if there was any place special I wanted to
visit, I said Wells Cathedral. It was all that Elyn describes.
Thanks, Elyn & Gary"

Wendy Morgan

January 1, 2014 | Unregistered CommenterElyn Aviva

Funny that you should mention Chartre Cathedral in France. I spent many an hour there just caressing this beautiful living, breathing edifice. I felt as if I knew her in the past and walked her labyrinth by memory with slow shuffling gaits while doing the "beads." That must be something like what you felt at Wells Cathedral. Someday I will have to visit this one as well.

January 1, 2014 | Unregistered CommenterLinda Smith

Beautiful writing, beautiful pictures! Thank you for sharing with us. ila sage

January 1, 2014 | Unregistered CommenterIla Sage

Thank you, all, for your comments--so wonderful to share your experiences of these powerful, sacred Elder Beings disguised as buildings. Linda--you make me long to go back to Chartres and "breathe" her in as well. Thank you.

January 1, 2014 | Unregistered CommenterElyn Aviva

Such a beautiful well written experience !! I do believe we can fall in love with places and if I can this year I will make it to see this cathedral; the tree of life is exquisite and I would love to see it.
I have fall in love with mountains and rivers but not yer with a cathedral who knows !!
Thank you for sharing !!

January 1, 2014 | Unregistered CommenterRosa Aleah Puerto

A really moving article, I can really feel what you felt! I have known this kind of experience with standing stones and mountains, but not cathedrals...yet.....but they are made out of stone, so I guess it is the same sort of thing... that stone is not "lifeless rock" but Living Rock!!!

January 1, 2014 | Unregistered CommenterRos Briagha

Elyn, Your words in combination with Gary's photo of Wells Cathedral's heartfelt ceiling serves as a powerful invitation to read and gaze on your entire piece. Oddly, it sent me back to my mind's eye remembrance of my feelings for Fromista. Was it a chapel? a church? A station on the way to Compostela? One can fall in love with simplicity as much a with graceful and funny elaboratiions. Thank you, Renate

January 2, 2014 | Unregistered CommenterRenate L Fernandez

I haven't visited her for a while. Your article inspires me to do this soon. Thank you for reminding me that I have this beauty on my doorstep. Great pictures Gary! Love to both.

January 3, 2014 | Unregistered Commenterkarin schluter

Elyn, what a beautiful experience and many thanks for sharing! Lovely photos of all that you saw, including the cathedral at dusk. It makes me want to visit Wells and be inspired by its grace, similar to that of places along the Camino.
The capital with the image of the man with the thorn in his foot and another showing a man with a swollen jaw and toothache sounds interesting -- was there an ex-voto tradition of physical healing associated with the cathedral's history? From your description of the inside, I could envision pilgrims in hopes of healing bringing ex-voto objects and leaving them in this sacred space. New Year blessings, Amanda

January 6, 2014 | Unregistered CommenterAmanda Schaffer

Hi Amanda--great question about the ex-votos and healing traditions. I don't know. Will have to explore that next time we're there! Many blessings, Elyn

January 6, 2014 | Unregistered CommenterElyn Aviva

wow... amazing story! never felt anything like this, but i can "understand"... pictures are beautiful and even i haven't been there (yet) i have this feeling as if i had just met her ... i mean .... this lady cathedral. thanks for sharing. it's hard to find love-consciousness story like yours these days....

January 7, 2014 | Unregistered CommenterAriel

Thanks, all! And thank you, Ariel--someday I hope you will meet her--the lady cathedral! Meantime, there must be some wonderful places here in Spain that you can "meet"....

Best,
Elyn

January 9, 2014 | Unregistered CommenterElyn Aviva

What a piece of writting Elyn! Moving and beautiful. I simply love it.

January 9, 2014 | Unregistered CommenterFrancisco Allwood

beautiful descriptions. thanx for sharing. maybe, someday, i'll have my turn to see her. you have given her great personality.

January 15, 2014 | Unregistered Commenterlynn from philadelphia

thanks Francis and Lynn--it was an easy piece to write--she was so inspiring, I think she whispered the words to me.

January 15, 2014 | Unregistered CommenterElyn Aviva

Just got a response to Amanda's query about ex-votos and healing pilgrimages. This from Miranda Young at Wells Cathedral:
Dear Elyn,
Your enquiry has been passed to me.
I may be able to offer a little more information.

The cathedral does indeed seem to have been a focus for visits to cure toothache.
This is mentioned briefly in ‘Wells Cathedral – an Architectural and Historical Guide’ by Elsa van der Zee, on page 85:

Bishop William Bytton II 1267-1274: Bishop Bytton’s earthly remains lie on the north side of the [Quire] aisle, under a blue lias slab which is protected by a Perspex cover. It is thought to be one of the earliest incised tomb slabs in England. According to legend, his skull still contains a perfect set of teeth and his tomb was a focus for tooth-ache sufferers in the Middle Ages, who believed in the healing powers of touching the slab. This may account for the damage that is visible at the head end of the stone.

It is worth mentioning that in modern times we have a service of ‘Eucharist with Healing’ every month in the cathedral, on a Saturday.
We also offer prayer pilgrimages to parish groups.

With best wishes,
Miranda

February 17, 2014 | Unregistered CommenterElyn Aviva

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