Moving Back to the Old Home Town

by Jim Terr 

I had lived in Santa Fe, New Mexico for 23 years before it occurred to me to offer to move back to Las Vegas, New Mexico (the “original” Las Vegas!), 65 miles east, where I was raised, to help care for my mom, aged 92 at the time.

photo by jonnyphoto via flickr.comMy brother had been doing the honors (living with her, in her beautiful red-brick Victorian we were raised in) for a year, and I thought I’d offer to relieve him. My mom couldn’t believe my offer, recalling that a year earlier, when she had asked me if I’d like to move over there, I had responded “I’d rather slit my wrists.” 

My suicidal reluctance had been due to my attitude that Santa Fe was fascinating, culturally alive, hip, filled with beautiful, interesting people and romantic prospects, whereas Las Vegas (population 15,000) was insular, uninteresting, provincial, stagnant. 

As I was cleaning up to move out of the place I was living in, my ever-active songwriting mind was generating a beautiful tribute song about Las Vegas, my home town, perhaps as a coping mechanism, a reflection of my deeper excitement about moving back there despite my well-developed bad attitudes about the place.  

Now, a little over six months since moving back to Las Vegas, I am able to see more clearly what a tremendous transition was involved in moving back – and in gradually overcoming the horrible attitudes I had developed about my dear little old home town.

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The secret of Taos blue corn

by Eric Lucas

Hardly anything seems secret about a kernel of blue corn. It’s the size and shape of a baby’s tooth, the indigo color of ocean dusk, not rock-hard but sturdy, like old pine.

Such a seed would be a secret, were it a product of American industrial agriculture—patented, engineered at a molecular level, sold under some trade name like Blue 7X-RR. You would pay a large Midwestern company to have some; you’d use huge machines like science fiction robots to lay it in the ground; pour on it chemicals with carbon-chain formulas as long as Finnish words; autoclave it into foods as artificial as plastic. And you’d get your pants sued off if you attempted to replicate it or reproduce it in any way.

Photo by Manya Kaczkowski, 2010But the handful of blue corn seeds I’m holding represent a gift from, first of all, Robert Mirabal, a Taos Pueblo resident; also a gift from two millennia and the ground on which a billion people live. Corn is the bedrock of civilization in the Western Hemisphere. It built a dozen empires in Mexico and South America; helped create two dozen thriving cities in the desert Southwest about which Spanish explorers marveled so much that their colonizer, Don Juan de Oñate, declared his conquest a “kingdom.” Nuevo Mexico; it’s called New Mexico now, but still part of the kingdom of corn. And the seeds Mirabal has given me are no secret, just gifts from that kingdom’s treasure.

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Discover the Exotic on a Road Trip

by Vera Marie Badertscher

“None of your business,” she said.  The short, curly, white hair bounced as she shook her head, but the brown eyes smiled in her beautiful, tanned and weathered face.  Half Navajo, Suzie (not her real name) has lived in Rio Grand pueblos in New Mexico all her life.  We were sitting in a rambling adobe house near the village where she lives with her husband. Grandchildren and daughters droppied in from time to time as we talked. The smell of cedar wood smoke curled around us, and tin-framed pictures of saints glinted on the walls.

Dancers at San Ildefonso Pueblo, 1942. Ansel Adams via Wikipedia CommonsI travel to find new ways of seeing the world.  Although all humans deal with some basic questions,  various cultures find different answers.  How do we show respect to others? Where did we come from? Who created us? How do we ensure good fortune, food, and shelter? What do we need to know?  The more the answers differ from our own, the more exotic the culture seems.

The curt reply, “None of your business,” came from Suzie, a lively Pueblo elder who fervently believes in the Catholic religion, but just as devotedly follows ancient ways.  People come to her for counsel and healing.  Although Suzie inherited an outgoing personality and sense of humor from her Navajo mother, she got her sense of propriety from living in her father's Pueblo culture  for all of her 80 years.

I visited Suzie's husband Joe (not his real name) while writing a book about Navajo artist, Quincy Tahoma.  Finding this couple turned out to be a grand slam for a biographer. Tahoma, a little older than Joe, had been a mentor to Joe when they both attended Santa Fe Indian School. Joe's father gained fame as one of the first Pueblo painters to sell his work, and, now in his eighties, Joe has returned to painting that he had abandoned after his school days. 

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A HIKING TALE

by Nancy King

The Sierra Club hike was advertised as: Strenuous Hike along the streams and meadows of the Grass Mountain area of the Pecos Wilderness, ~10 mile one-way hike with car shuttle, possible 2000 ft. cumulative climb.

It sounded doable to Nancy King on the trailme although I usually hike only seven or eight miles. The preceding weeks had been stressful and my system felt full of grunge. Maybe the sight of wildflowers and panoramic mountain vistas would act as emotional system cleanser and make me feel better. So, I signed up.

By seven o’clock, on the morning of the hike, I didn’t feel well and was on the verge of canceling. But I made a decision, that I would be okay, and with many deep breaths, set out to meet the group at 7:30. There were eight hikers; I was clearly the oldest, and the leader, a cheerful, upbeat guy in his early forties, was so welcoming that he carved a space in my worries and filled it with optimism. But I was unnerved when I heard people ask him, “So how long is this hike, really?” Funny question. The blurb said ten miles. Hadn’t they read it?

I’ve learned that if I’m able to walk behind the leader, I get charged with his or her energy, but if I’m at the end of the group, it’s a slog all the way, an energy sink. As we started up the mountain, with me just behind the leader, the relentless uphill climb made me wonder if it was going to go on ad infinitum. I huffed and puffed up the first four miles, hoping I’d make it to the top, wherever that was.

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On the Road with THE GHOST OF TONY HILLERMAN

by Anne Hillerman 

In addition to nearsightedness and a deep sense of curiosity, my Dad and I shared a love of good stories. After his death two years ago, I had the opportunity to travel in his tire tracks. My road trip became a lesson in discovery, geographically and emotionally, showing me aspects of my father I had never seen and beautiful places I’d never visited. Ghosts have a creepy reputation, but my father’s made the perfect traveling companion.

Let’s start at the beginning. My Dad was Tony Hillerman. During his 35 years of writing best-selling mysteries, millions of fans treasured his stories of Navajo detectives solving crimes on the panoramic Navajo Nation. He also inspired me to start The Tony Hillerman Writers’ Conference, where he served as our most popular faculty member for several years. 

Before Dad died in late October of 2008, my photographer husband Don Strel and I had launched our own book project, “Tony Hillerman’s Landscape: On the Road with Chee and Leaphorn” to show readers who had never been to Indian Country the settings in which the fictional Tribal Officers solved crimes. I gathered quotes from Dad’s books that described places where his detectives pause to comment on the scenery in Arizona, New Mexico, Utah and Colorado. Then we hit the road for Baby Rocks, Teec Nos Pos, Toadlena, Church Rock, Kayenta, Tsaile, Tuba City and other breathtaking places Dad loved.

Don and I finished the book with both relief and regret a few months after Dad died. We decided to promote it and honor my father’s memory with talks and slideshows to support public libraries. Little did I know that I would be getting most of the benefit, priceless stories from people in the audience whom my Dad had touched: loyal readers, distant relatives, Indian consultants, long-lost friends, and former co-workers and students from his days at the University of New Mexico.

At the small Placitas, N.M. library, a woman came up to me after my talk. “I have to tell you how I stalked your father,” she said. I was all ears.

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Horseback Riding Off The Grid

by Carolyn Handler Miller

Because of a silver-colored horse named Concho and a notorious outlaw named Billy the Kid, my tether to the digital world got snapped. And, as it turned out, I was grateful. I’ll explain.

It all started about a year ago, when I heard about an intriguing trail riding vacation called the Tunstall Ride. It had a Billy the Kid theme and was based in southern New Mexico, major Kid territory. According to Beth MacQuigg, the ride manager, there would be three days of trail riding and we’d be traveling over some of the same rangeland that the Kid would have ridden over.

Riders would be housed in guest rooms on a private ranch adjacent to the property where the Kid once worked as a ranch hand. Known as the Tunstall Ranch, it was owned by his boss, Englishman John Henry Tunstall. Billy was riding with him one day when Tunstall was gunned down, was the first person to be murdered during the infamous Lincoln County War. 

That bloody conflict aside, the land we’d be riding over was reputed to be some of the Kid’s favorite country. Beth told me that most people would be bringing their own horses, but for those of us who were horseless, like me, rental horses could be provided. As someone who loves horses, trail riding, and Western lore, the Tunstall Ride sounded immensely appealing, and I signed up. I signed my husband up, too. Though Terry doesn’t ride, he could hang out at the ranch and join us for meals and explore the historic sites with us that we’d be visiting without the horses.

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